e
T: 2129790001
e: mail@example.com
243 BOWERY STREET NEW YORK CITY, NY 10002:
Black-and-white close-up of a woman with curly hair and a serious gaze, trees softly blurred in the background.

Galerie

Shahid

Official poster for Shahid (Berlinale Forum 74): the red spray-painted title “SHAHID” spans the center; at the bottom a woman in a yellow beanie and red coat walks as a robed chorus follows; at right a large gray ink-wash silhouette made of faces looms; festival logo and credits frame the design.
Film still from Shahid: a woman in a yellow beanie and red coat raises her hood while standing before an ornate gray door, looking upward with a determined expression.
Film still from Shahid: a woman in a yellow beanie and red coat pauses with a vintage bicycle beside a tiled wall and a parking sign on a city street corner.
Film still from Shahid: in a narrow alley, a woman in a yellow beanie and red coat moves past with a bicycle in the foreground while a robed chorus with tall black headpieces advances behind her with raised hands; shop signs (“KONDITOREI,” “CASINO”) line the street.
Behind the scenes of Shahid: a woman in a yellow beanie and red coat stands with a vintage bicycle in a cobblestone passage while crew members and a camera rig set up behind her.
Group photo of the Shahid cast and crew on location: dozens pose in front of a teal building on a cobblestone street, with a camera rig at left.
Behind the scenes of Shahid: crew members with boom poles and a clapperboard surround a set dressed as a government service counter; a performer in a yellow beanie and red coat sits facing a clerk behind glass under bright LED panels.
Behind the scenes of Shahid: a performer in a black robe stands side-on on a treadmill before a green screen, holding a prop gun; studio lights, a floor fan, cables, and a ladder are visible around the set.
Behind-the-scenes group photo for Shahid: performers and musicians pose on stage in front of a colorful Persian-style mural—one in a black robe with a tall hat, two in orange jumpsuits crouching, a drummer at a kit, and another holding a hand drum—with stage microphones visible.
A scence from the award winning film Shahid featuring Baharak Abdolifard.
Behind-the-scenes monitor frame from Shahid: a clapperboard marked “Scene 20.A1, Take 2” is held in front of a bride in a white gown holding peach roses, seated beside a man in a suit with a boutonnière inside a registry-office setting; a crew member stands behind glass, with on-screen camera data (FPS 25, 5600K) around the border.
On-set monitor frame from Shahid: a woman in a yellow beanie and red coat stands center in a room filled with dressmaker mannequins and full-body forms, daylight filtering through curtains; camera HUD with “FPS 25, 5600K” surrounds the image.
On-set monitor frame from Shahid: two curly-haired women lean together and smile softly toward the lens in a dim apartment kitchen/living room; a crew member stands by a table in the background; camera HUD shows “FPS 25,” “5600K,” and “STBY.”
On-set monitor frame from Shahid: a curly-haired woman in a black robe sits on a chair in a dim apartment, another figure seated behind near sheer curtains; a vacuum lies on the floor and soft projections blur across the walls, with camera HUD showing “REC.”
Film still from Shahid: overhead view of a woman curled on a dark wooden floor, her body covered with handwritten map-like markings; a thin strip of warm light cuts across, with dark garments at the edges.
Film still from Shahid: view through a window into a dim bar; a woman in a light dress reclines on a floral armchair with a drink, vintage couches and a chalkboard bar glowing warmly.
Film still from Shahid: a curly-haired woman in a black robe aims a rifle straight at the camera against a green-screen backdrop.
Film still from Shahid: on a sunlit cobblestone corner, a woman in a black robe lifts her arms before a worn gray wall, while a chorus of robed performers raises hands at right; a passerby stands near a parking sign.
Film still from Shahid: close-up of a woman in a yellow beanie under a red hood, staring ahead as a black-robed chorus surrounds her; blurred hands lifted in the background.
Red carpet photo related to Shahid: actors Baharak Abdolifard and Nima Nazarinia pose before a blue “FFF Bayern” step-and-repeat—one in a light, flowing gown with a small black clutch, the other in a black tuxedo with bow tie, both smiling at the camera.
Red carpet photo at the 74th Berlinale: two guests, Baharak Abdolifard and Nima Nazarinia, pose in front of a large bear-graphic backdrop reading “74. BERLINALE — 15–25 Feb 2024,” with festival branding across the step-and-repeat.
Red carpet photo for Shahid: eight attendees pose against a red “Hessen Film & Medien” step-and-repeat—six standing, two kneeling at front.
Red carpet photo for Shahid: two guests pose in front of a red “Hessen Film & Medien” step-and-repeat—one in a navy dress with statement jewelry, the other in a light grey blazer and black turtleneck.
Festival photo: two guests stand in front of a wall of film posters—including the Shahid poster—both dressed in black; one wears a lanyard and smiles toward the camera.
Trailer cover for Shahid: a woman in a yellow beanie and red coat stands on a cobblestone street facing the camera as a black-robed chorus lines up behind her; Berlinale bear logo overlays the center with “TRAILER — SHAHID” text at right.
Film still from Shahid: close-up of a curly-haired woman in a green sweater, hands pressed to her lips, glancing sideways in a dim, warm room with a blurred foreground.

Arash

Black-and-white close-up of a short-haired vocalist in a patterned dress singing at a side microphone, softly lit with shallow depth of field.
Black-and-white scene of a small indoor concert: guitarist on the left, vocalist centered at a mic stand, drummer on the right; wooden floor and empty chairs in the foreground.
Black and white photo of a theater performance in a café-like setting, where the audience is seated at small tables with drinks and food. In the foreground, a man and woman stand closely together as if dancing, while other performers interact among the audience. The atmosphere is intimate and immersive, blurring the line between stage and spectators.
Black-and-white tight close-up of the vocalist mid-phrase with a microphone in the foreground and a focused expression.
Black-and-white portrait of the vocalist facing forward behind a microphone, light wall backdrop with her shadow visible.
Wide view of a candlelit café-style room during Arash // Heimkehrer: seated audience gathers at small tables while a vocalist, guitarist, and drummer perform under a purple wash on the back wall.
Close-up of a vocalist at a microphone against a purple-lit plaster wall, singing as audience heads blur in the foreground; part of a drum kit and musicians at right—live performance for Arash // Heimkehrer.
Audience view of live music at Arash // Heimkehrer: a vocalist sings at a microphone under a purple wall wash with a guitarist to the left, while a café-style crowd sits at small tables with candles in the foreground.
Live music at Arash // Heimkehrer: a vocalist sits with a microphone and tambourine between a seated electric guitarist (left) and a drummer (right) against a purple-lit plaster wall; cables and floor lights, with a table and plate in the foreground.
Live music at Arash // Heimkehrer: a vocalist stands at a microphone against a purple-lit plaster wall while audience members blur past in the foreground; a drummer and instruments are partially visible at right.
Live music setup for Arash // Heimkehrer: a vocalist stands at a microphone with a tambourine, flanked by a seated electric guitarist (left) and a drummer at a small kit (right), in a warm, candlelit room with a purple wash on a cracked plaster wall.
Group portrait for the theatre project Arash: about a dozen performers of different ages stand closely together on a city bridge, facing the camera with neutral expressions; apartment blocks and trees in the background.
Outdoor performance for the theatre project Arash: a line of performers stands on a marked rectangle beneath a graffiti-covered bridge while crowds watch from the riverside and along the bridge railing above.

TAN

Baharak Abdolifard and Nima Nazarinia on stage, theatre performance 2017
Baharak Abdolifard, close-up during 2017 theatre performance, TAN
Baharak Abdolifard and Nima Nazarinia during a live theatre act in 2017
Iranian actress Baharak Abdolifard on stage, theatre role, 2017
Theatre scene with Baharak Abdolifard and Nima Nazarinia
Nima Nazarinia on stage in TAN, wrapped in sheets.
Iranian-Austrian actor, Nima Nazarinia on stage, theatre play 2017
Detail shot: Baharak Abdolifard and Nima Nazarinia acting in theatre play, 2017

Photographer, His Lover…

Close-up of a woman with curly hair and teal earrings, hand on neck, looking to the side in soft indoor light.
Trailer still from The Photographer, His Lover, His Sister and Her Lover (2017): close-up of a curly-haired woman turning toward the camera, soft light and tiled wall in the background, pensive expression.
Official poster: grainy, double-exposed room—figure slumped on a sofa with teapot and cup; title “The Photographer, His Lover, His Sister and Her Lover” at left, credits below
a photographer frames a curly-haired woman in a white blouse; her face appears on the camera screen in a studio setup
Film still: close-up of a curly-haired actress, Baharak Abdolifard, in a white blouse, pensive under soft studio lighting.
Behind the scenes: actress Baharak Abdolifard lies on a bed examining a roll of tape handed by a man leaning over; warm bedside light in a minimal room.
a photographer frames a curly-haired woman in a white blouse; her face appears on the camera screen in a studio setup

Nodbeh

Stage photo from Nodbeh: seven performers in mixed costumes stand shoulder to shoulder under a hard spotlight, staring forward on a black stage.
Stage photo from Nodbeh: five performers sit in a row under narrow spotlights—center figures in a white dress and a long green dress—surrounded by deep blackness.
Stage photo from Nodbeh: two performers stand apart among scattered chairs—one in a long green dress facing forward, another in a white dress turned sideways—while others fade into the dark background.
Stage photo from Nodbeh: eight performers stand in a straight line under a tight spotlight, a few barefoot, with empty black chairs behind them against a dark stage.
Stage photo from Nodbeh: four performers sit on simple black chairs in a diagonal, wearing dark patterned dresses—one barefoot—gazing in different directions against a black stage.
Stage photo from Nodbeh: a line of performers spreads across the stage—some kneeling, some standing barefoot—reaching and crying out with expressive gestures; scattered chairs and a black background frame the scene.
Stage photo from Nodbeh: nine performers kneel in a row under a tight spotlight while a tenth figure stands behind them in white, singing against a black background.

Siavoshan

Dance sequence from “Siavoshan,” the protagonist wrapped in an orange shawl partnering a male dancer, with live percussion and santur behind.
Funeral-ritual tableau in “Siavoshan”: the protagonist lifts a white shroud over a prone figure while two musicians accompany from upstage.
Close embrace during the “Siavoshan” duet, conveying grief and resolve, musicians visible in soft focus upstage.
Solo lament in “Siavoshan”: the lead sings with an outstretched hand as the santur accompanist sits behind.
Mourning tableau from “Siavoshan”: the protagonist in a turquoise scarf cradles a fallen body beside a carpet of petals, instruments and musicians dimly lit in the background.
Lead performer sits center stage in a turquoise scarf amid scattered petals, with frame-drum and santur players in the background — scene from the 2015 stage piece “Siavoshan.”

Nowrouz Fest, Sargfabrik

Close-up of a female singer at a microphone, Nowruz Festival at Sargfabrik Vienna, March 2018.
Vocalist and santur player performing live on stage at Sargfabrik’s Nowruz Festival, Vienna, March 2018.
Female singer in a floral dress, eyes closed mid-song at the Nowruz Festival, Sargfabrik Vienna, March 2018.

ORF Radio Kulturhaus

Vocalist, Baharak Abdolifard in a turquoise patterned dress during the curtain call, standing between musicians; microphones and warm wooden panels; audience hands in foreground.
Seated vocalist, Bahark Abdolifard singing into a microphone beside an acoustic guitarist; ensemble players and multiple mic stands in the background at RadioKulturhaus.
Seated vocalist, Baharak Abdolifard between a guitarist and another performer, focused and still; percussion and a string player visible in the background with close microphones.
Wide shot of the ensemble on stage before a full audience—vocalist, two guitarists, strings, woodwinds, and percussion arranged in a semi-circle at RadioKulturhaus.

Konzert im WUK, Frauentag

Close-up of the seated vocalist singing into a mic at the WUK Women’s Day concert, lit by warm red–gold stage lights against a textured patterned wall, hands folded on her lap.
Seated vocalist with curly hair performing into a microphone, eyes closed, in warm red lighting against a textured patterned wall.
Seated trio performing onstage at Vienna’s WUK for International Women’s Day 2015—frame-drum player left, vocalist center, and santur player right—surrounded by microphones and cables under magenta stage lighting.

Sina Film Soundtrack

My Lover’s Pain
Mirage of Hope